Tamworth Rage Page
Helen is no longer updating this website
 
Andy Baylor
plus
The Baylor Brothers
Scroll down for Andy Baylor Cajun Combo in Tamworth 2004
 
 
Andy will be at Southgate Inn -Tamworth Festival 2008
Noon - 4pm Monday 21st - Saturday 26th
**********************
 
Andy Baylor and the Cajun Combo will be playing at the Cooks River Boat Club on Saturday October 27th 2008.

After a sellout show at Cooks River in April this year, Melbourne’s Roots music maestro Andy Baylor is back with his celebrated Cajun Combo for another huge night of “Bop Boogie In The Dark” - boogie woogie, blues, western swing hot Cajun two steps and funky waltzes, in the authentic setting of Sydney’s only Louisiana style swamp shack – The Cooks River Motor Boat Club at Tempe. (SEE OVER)

media enquiries – 02 9251 6940 0405 726 753 robot100@bigpond.com
2.
BOP BOOGIE IN THE DARK!
ANDY BAYLOR HIS CAJUN COMBO
www.andybaylor.com.au

Andy Baylor and his Cajun Combo have been touring around this big broad land all year delivering the hottest roots music on the scene. From the mudslides and floods of the Gympie Muster to the heat and dust of country capital, Tamworth, from the primitive swamps of St Kilda to the dilapidated dancehalls of the Outback - Andy and band have travelled the road less travelled …that funky lonesome lost highway of rhythm and blues.

Andy’s band include:
Mr Sam Lemann - red hot guitarist-national flatpick champion and wedding/function guitar supremo.
Mr Steve “Swampboy” Teakle - on accordion, rubboard, clavichord and teaspoons.
Micheal ‘V-Doll’ Vidale - on double bass, the ubiquitous country playboy!
Joel T Davis - the secret weapon- on drums and percussion!

Sydney roots music fans get ready….there’s something special a’coming, so get on board….dance all night to the hottest roots music smorgasbord north of the Murray Bayou….two-steps, waltzes, hypnotic blues, country hurtin’ songs, zydeco juke joint funk and high lonesome fiddle tunes…..
 
MR.B’S BOOGIE BY THE BAYOU….SAT 12TH MAY
Melbourne’s own country roots music maestro,Andy Baylor, has assembled an all-star line-up for a special one-off show at Sydney’s funkiest old-world venue-The Cook River Motorboat Club….

After a recent battle with Cancer and a triumphant return to Tamworth country music festival ,Andy will be playing a highly danceable mix of Cajun two-steps, waltzes, hot western swing and honky tonk boogie woogie with
-Sydney’s own master of the sacred steel guitar-Michel ‘the mighty one’ Rose;
-man about town with the tubs-drummer extraordinaire-Joel T. Davis;
-from the bayous of Melbourne’ guitarist to the stars-‘magic’ Sam Lemann;
-Steve ‘swampboy’ Teakle on accordion and piano and rubboard
-Mr. Andy ‘hillbilly’ Scott on the big double bass

Andy will lead with his cryin’ fiddle, hot blues guitar and heartfelt vocals….
What they say about Andy and his band:-
“Andy Baylor is a national treasure –the king of forgotten roots styles-…” –Rhythms magazine
“where ‘d you guys learn to play like that?” –Bob Dylan

“Andy Baylor is truly one of the architects of the current blues/roots trend in Australian music”- Ken Williams , The Age
“ Andy –you’re the man!”-Coco Robicheaux

Mr. B’s Boogie By The Bayou
Andy Baylor and his Cajun Combo
Cooks River Motorboat Club
Holbeach Ave. Tempe,029558 5522
SAT.12TH MAY, 8.30-12.30,
ENTRY $15.00
www.andybaylor.com.au
 
ANDY BAYLOR BIO
Andy Baylor, Australian musician of renown, has his roots in the inner- urban art movement of seventies’ Melbourne –a time of musical experimentation, freedom and folk clubs. He has spent the last thirty years honing his unique musical talents.
Never having been drawn to mainstream commercialism, Andy has traveled the back roads of popular culture seeking knowledge and inspiration from many forgotten sources . He has drawn on America’s great 20th century legacy of popular music and his own Australian roots, creating a new individual voice combining instrumental virtuosity on several instruments with a strong sense of place and history.
As a guitarist, Andy combines a deep knowledge of blues, jazz and folk and country music and has played with many visiting U.S.A. masters. Jimmy Witherspoon (Legendary blues shouter), Big Jay McNeely (R ’n B saxophone pioneer), Jimmy Mc Griff (funky, famous Hammond organ virtuoso, Flaco Jimenez (tex mex accordion king), Coco Robicheaux (contemporary singer, songwriter from New Orleans), Louisiana Red (Bluesman), Screamin Jay Hawkins (voodoo blues king) .He was hand-picked by Bob Dylan to support some of his shows in ‘92(Dylan was given a copy of Andy’s first CD) Robert Plant did the same on his ’86 tour …. .He has also toured with Taj Mahal, John Mayall, Slim Whitman,New Orleans Soul singer ,Betty Harris ,Zydeco great-Queen Ida,Steve Riley’s Mamou Playboys and Cajun band Balfa Toujours.He has played with bluegrass greats-banjoist Bill Keith,fiddler Mark O’Connor as well as sharing the stage with country greats Gillian Welsh,Bill and Kasey Chambers….the list goes on .
Always a busy working musician with unmatched versality, Andy has played with many great Australian artists –country, folk and rock with Paul Kelly, Slim Dusty, Anne Kirkpatrick, Redgum, Ross Wilson, Chris Wilson,Richard Frankland, Joe Camilleri, Bomba, Chad Morgan, and jazz with local legends Bob Barnard and Ade Monsborough, Judy Jacques, Ken Shroeder,Alan Browne, and many more.
During the 1980’s,with his band The Dancehall Racketeers, Andy toured everywhere in Australia, from Aboriginal settlements in Arnhem Land to big city concert halls breaking down barriers and introducing such (then unusual and obscure) styles of music as Western Swing, cajun, zydeco, rockabilly, country ,hillbilly and blues to Australian audiences.
Andy is truly one of the architects of the current “roots /blues” trend in Australian popular music.
As a violinist, he has created a unique Australian sound with elements of swing, celtic, cajun, classical and country fiddle styles. In 1992 and again in 2005 he travelled the backroads of the U.S.A. as a fiddler, where he gained valuable experience meeting and playing with many legendary musicians including bluegrass greats David Grisman , Texan swing fiddle master Johnny Gimble (A member of Bob Wills Texas Playboys), cajun fiddle greats Dewey Balfa, Rufus Thibodeaux ,Dave Greely and accordianists Ray Abshire and Marc Savoy.
Back in Australia, Andy has continued his musical journey with a host of diverse musical projects and his many CDs reflect his wide artistic interests.
 
CRY FREEDOM 2005
A new CD from Richard Frankland’s Charcoal Club with original songs dealing with politics, koorie life, protest songs, love songs and the search for Australian identity.

HOMETOWN STOMP, 2005
This collection of music was the result of two days of live “in the groove” recording at Barry Stockley’s Fatsound Studio in West Melbourne, August 23rd/24th 2004 ….just up the road from Festival Hall, where many of the greats have stomped it off over the years…..There is a selection of blues, stomps, boogie -woogies mixed with tex mex, country ballads, fiddle tunes and cool instrumentals……all designed for your dancing and listening pleasure.

BUCKLEY’S CHANCE, 2004.
Was recorded at Mick Thomas’s studio and is a collection of original folk ballads. The songs and music on this C.D are strongly rooted in the past, but have a distinctive contemporary Australian aesthetic. There are elements of folk, celtic, country, cajun and blues which are transformed into new hybrid styles.

MELVILLE MILK BAR BLUES, 2003.
This CD release is a veritable smorgasbord of retro-roots music styles….23 tracks collected from the vaults of the legendary PRESTON RECORDS STUDIOS, featuring a who’s who of the Melbourne underground music scene. As Andy calls it , “AUSTRALIAN AMERICANA”… a complete re-casting of such styles as BLUES,CAJUN, ROCKABILLY, BOOGIE WOOGIE, COUNTRY AND ROCK’N’ROLL. All captured by Retro Recording Guru, Graeme Thomas at his Preston Records Studio (an old abandoned milk bar in Melville Rd.) with his ’56 Pye mixer and microphones that could have come straight out of Sam Phillips’ Memphis Sun Studios.

FRONT PORCH FAVOURITES, 2003.
Andy re-united with his famous brothers, fiddle virtuoso Donal, and guitarist, Peter to record this collection of old time country music with western swing , fiddle tunes, blues and fine string band pickin’….a big hit with the new-old-timey trend in Australian folk circles.

THE BUTTERFLY EFFECT, 2001.
A collection of surreal original songs co-written with poet Nicholas Langton.A mix of folk styles, soul and modern pop, the album explores themes of modernity, alienation and identity with a lyrical sense of social realism.

ARCADIANA, 2000.
Blues, cajun and country music influences with a deeper original input…a real re-casting and re-mixing of traditions ,recorded and produced by Nicky Bomba in his Newport Studios

THE CHARCOAL CLUB-MEETING 1.
A collaboration with renaissance Gundijtamara man Richard Frankland and Lou Bennett of Tiddas fame featuring original songs, many of which were an integral part of Richard Frankland’s groundbreaking play “CONVERSATIONS WITH THE DEAD” produced by Melbourne’s Playbox Theatre.

GUAVA LAMPO, 1999.
A hit CD by “ funk supergroup ” Banana Oil, feat. Tim Neal, Dave Williamson and Nicky Bomba- a mixture of funky jazz, reggae and originals. This album features Andy exclusively on his Fender Jaguar guitar in a soul -jazz style and the CD won the APRA JAZZ AWARD and featured the radio hit single “My Family”

THE YARRAVILLE SESSIONS, 1998.
A release by the Dancehall Racketeers with a musical mix of country swing, blues and boogie woogie-a “roots” music smorgasbord by this legendary Australian band.

THE BUSH IS FULL OF GHOSTS, 1995.
An original song- cycle with a strong Australian flavour….poetry and roots music with a strong sense of place and tinged with elegaic sadness

ANDY BAYLOR’S CAJUN COMBO, 1992-TONIGHT
A collection of dance music, inspired by the unique musical traditions of Louisiana. The band features many great Melbourne musicians, including George Butrumlis (Black Sorrows, Zydeco Jump)and Lisa Miller.It is powered along by the famous Daddy Cool rhythm section of Gary Young and Wayne Duncan….a classic.

REVIEWS…REVIEWS….REVIEWS……REVIEWS….REVIEWS….
Review from Andrew Block
............Andy Baylor's Cajun Combo punch out some rollicking southern sounds when they play live, and their self-titled CD released on Shock Records promises more of the same. Fiddle and guitar player, Andy Baylor was Bob Dylan's personal choice as support act on his '92 tour, and the musos behind him have equal respect.
............To drop a couple of names from this versatile band; drummer Gary Young is ex- Daddy Cool and Jo Jo Zep and the Falcons and Wayne Duncan (bass) the heart of Daddy Cool's rhythm section. Andy Baylor (guitar, vocals and fiddle) has toured with accordion player, Flaco Jiminez and played fiddle with Slim Dusty. He learnt to play cajun waltzes and two-steps from fiddlers in Louisiana. In New Orleans he soaked himself in funky blues and country, mardi gras rhythms and dance music of the juke joints.
............In the last couple of years Cajun Combo has played with Screaming Jay hawkins, Louisiana Red and Queen Ida and her Zydeco Band.

Bruce Gillespie's Review
............Here I was thinking that cajun music was just a tiny bit monotonous. But fortunately I listened to Andy Baylor's Cajun Combo. and my ears received a new message. For Baylor's style of cajun music has lots of variety. It has oomph and whizz as well. Baylor's band has many strengths: Andy Baylor singing male lead vocal, Lisa Miller singing female lead vocal, Peter Linden, Brendan Shearson and Sam Lemann on guitars, Wayne Duncan on bass, Gary Young on drums, Jimi Baeck on saxophone, and of course, since this is a cajun record, George Butrumlis on accordion. These people must have about three million years of musical experience between them. It shows.
...........The songs range across a wide variety of styles, all of which are (perhaps) aspects of cajun. "Allons a Lafayette", an intrumental, is the closest the band comes to what I think is cajun: all very French, as well as bluesy. But Lisa Miller's rendition of Bobbie Gentry's "Ode to Billy Joe" is a convincing slow countryish rendition of a song I thought I knew well. 'These Arms of Mine', the old Otis Redding song is, on the other hand, West Coast blues. Other tracks are more country than cajun.
...........In other words, Andy Baylor's Cajun Combo is more wide-ranging and interesting than anything you might guess from looking at the cover. Try this CD when you next need a good cheer up.
Andra Jackson Sunday Herald Sun
From swing to cajun, Andy Baylor likes all types of unconventional music..............Andy Baylor has made his name playing an array of musical styles, but with the latest CD the Melbourne musician wanted to stamp his own style on it. Baylor, founder ot the swing influenced Dancehall Racketeers and R&B sounding Honeydrippers, member of the rockabilly outfit The Autodrifters and jazz based Karl Hird Trio, now fronts his own Cajun Combo band ranging over zydeco, western swing and blues. The compulsive songwriter has penned songs for these bands and recorded with his own combo as well as the arty Banana Oil and the Karl Hird Trio, in their music idiom.
.............In contrast, The Bush is Full of Ghosts is original material set to the US roots music of which he is an exponent. Baylor, who plays fiddle, guitar and mandolin, says the reason he got to know different styles was " partly my personality and partly the instruments I play ". A guitar is present in all styles of music, from funky rhythm to bluegrass country to acoustic jazz, he says. "But being born in Australia, one is not really born into a strict musical culture," he says. "For example, if you are born in Louisiana you play cajun music. But in Australia you get your musical culture, or I have, from records, television and books.... you can get records from anywhere, so all this adds up to diverse interests." With this gap in mind, Baylor came up with material that drew on the experience of living in Australia without being too self-conciously Australian.
............" I wanted to sing about things that were around me ," he says. " Some of those bush bands of the 80's made a self conscious attempt to be Australian, bunging on a colonial accent and corks in the hat. "I've worked with Slim Dusty and a lot of country artists and I just wanted to do something that was natural." The subjects in the songs include Melbourne's alternative culture hub, Brunswick St., the colorful character of seedy St. Kilda and Healsville's bushland. Recording began in 1993. Five tracks were down when Baylor was diagnosed with cancer. Recording was put on hold for two years. That interval left it's imprint on the later songs, which Baylor describes as more personal with an elegiac tinge. "That's why I've always loved country music. Within its simple form there is incredible scope to tap into the emotions, lost love and things like that. "The CD is dedicated to a friend who died shortly after the sessions." Peter Linden, an American preacher who played slide guitar on three tracks, died in a US plane crash. Even the title track, The Bush is Full of Ghosts, conveys a sense of loss "about the passing of Aboriginal inhabitants". Five songs were co written in 1993 with Melbourne scriptwriter Nicholas Langton. The 1996 songs include the satirical instrumental Surfin' on the No.15 Tram and King Boozoo, inspired by zydeco accordianist Boozoo Chavis.

Keith Glass Sunday Herald Sun
..............Andy Baylor is one of the great musical treasures you can stumble across any night of the week plying his trade in the inner city bars of Melbourne. He plays jazz, country, blues -you name it- with equal aplomb. He recently found himself with a clutch of songs about Melbourne, the outback, Australia, lost love and Louisiana zydeco legends that just has to come out. Now they have. Andy's laconic vocals and the low-key but faultless playing from the likes of Gary Young, Wayne Duncan, Howard Cairns and Sam Lemann are a sheer joy. You don't have to whack someone over the head with a boomerang to be quintessentially Australian. When he ruminates about our own Big Brown Land, you realise all the jingoistic claptrap that passes for "Australiana" does not come near to the true sense of spirit Andy has achieved on the The Bush is Full of Ghosts

Ken Williams EG Melbourne Age Friday
The Bush is Full of Ghosts Andy Baylor (independent release)
.............Could this be the soundtrack for reconciliation? As Andy Baylor sings on Big Broad Land, "this land has many histories" The title song tells, "The bush is full of ghosts," while Baylor recites a list of images Australian (not to be confused with cringe-inducing "Horstryl-iarna") atop the jogging rhythm section of the sterling Gary Young and Wayne Duncan and the lyrical steel guitar of the late, truly lamented Peter Linden, to whom the album is dedicated. The 12 songs are nicely varied in tone and delivery, whether they concern the road life and the home-grown honky tonk, inner suburban haunts, lost love, the moon and good times. Baylor, who sings in a voice unaffectedly Australian, is a master guitarist and fiddler.
.............As a musician, he has always seemed unusually sensitive to the needs of the ensemble and the song, whether he be working with locals the Dancehall Racketeers and the Cajun Combo or visiting Americans Big Jay McNeely or Jimmy McGriff; The Bush is Full of Ghosts only confirms this view. Playing throughout is immaculate and delicately balanced, even when the band drops into a variation on the swampy Suzie Q riff for King Boozoo, a tribute to Zydeco man Boozoo Chavis, or when Andy takes to the waves on the instrumental Surfin on the No.15 Tram, which brings to mind a conjunction of guitarists Gatemouth Brown (Texas) and Ernest Ranglin (Jamaica) in twangbar heaven. xxxx - Ken Williams

AGE REVIEW OF “CRY FREEDOM”
Most of the popular songs written in the past 10 years are about booty: getting it, not getting it, shaking it or faking it, not that there's anything wrong with that. We're just not accustomed to songs about things that matter.
But thoughtful music doesn't have to be dour - many of the non-booty songs by noteworthy activists such as Woody Guthrie and the early work of his best-known disciple, Bob Dylan, are wry, poignant and downright funny.
The tradition can still be found in artists such as Richard Frankland. A filmmaker, playwright and indigenous activist, Frankland is also a talented musician, blessed with a soulful, mellifluous voice.
He's partnered in the Charcoal Club by Andy Baylor, in top form on guitar, fiddle and anything else with strings. The pair are helped out with drums, bass and a heavenly choir of backing vocalists.
And just because the songs are about subjects such as human rights ( Cry Freedom), Aboriginal issues ( Don't Go Down That Dreaming) and peace in the Middle East ( Jordan Rain), doesn't mean they can't also be luscious and tuneful, such as the gorgeous Asunder, and Baylor's delightful vocal on the Buddy Holly-ish Last Tear. Special stuff.
More Info www.andybaylor.com.au
 
 
 
 
 
 
 “ HAPPY TO BE HERE-SWINGIN’ WITH ANDY B”
ANDY BAYLOR’S WELCOME BACK TO TAMWORTH
MONDAY,22ndJANUARY, SCULLY ROOM, SOUTHGATE INN, TAMWORTH 2007

It has been an eventful time for Melbourne’s country roots music man, Andy Baylor, cruising down the backroads ….

He kicked 2005 off with a brand new highly acclaimed CD release -“Hometown Stomp”- a rockin’ double CD mix of blues, boogie woogie and Cajun soul and a celebration of his country roots.
National touring followed with The Baylor Brothers and The Cajun Combo, followed by a tour of South East Asia with Lucky Oceans’ Western- Swing All –Stars.

Later that same year , Andy received a grant from the Australian Arts Council and journeyed to Southwest Louisiana with his fiddle to deepen his knowledge of Cajun and Creole music…. He jammed with the who’s - who of Louisiana music and narrowly escaped being caught up in Hurricane Katrina.

In September 2005 he performed at benefit concerts in Melbourne aimed at helping New Orleans musicians. The second of these concerts found him playing guitar for the legendary soul singer, Betty Harris in what was a sensational show..
A week later disaster struck and Andy found himself diagnosed with Lymphoma.
He subsequently spent 6 months undergoing a gruelling regime of chemotherapy which saw him miss his engagements at the Tamworth Festival for 2006.

Andy is now making a full recovery and is looking forward to playing for
his fans in Tamworth2007……. this will be his ‘Welcome Back to
Tamworth’ concert.

His band features an all-star line-up including Professor MICHEL ROSE on pedal steel, legendary drummer, Tamworth’s own J.T.DAVIS, national guitar flatpicking champion SAM LEMANN , guitars, and long ,tall Victorian ANDY ‘Hillbilly’ SCOTT on double bass.
Andy and his swingin’ band will be joined by special guests in what will be an evening of SENSATIONAL country roots music…hot western swing, fiddle hoedowns, rockabilly, boogie woogie, country hurtin’ songs, and more….As a special part of the show Andy will pay tribute to the king of western swing himself-BOB WILLS, and also to the daddy of country music –THE GREAT JIMMIE RODGERS

‘HAPPY TO BE HERE-SWINGIN WITH ANDY B’ with Andy Baylor
and THE WESTERN SWING ALL-STARS .with special guests
Hot western swing, fiddle specialties, swingin’ twin guitars ,old-style country ballads, boogie woogie and hillbilly jazz….not to be missed….. www.baylormusic.com 
SWINGTIME IN THE BLUEGRASS
For one special night only, the Baylor Brothers play deep in the heart of St. Kilda….Hot western swing, bluegrass fiddle,old-timey string band specialties and rhythmic retro-billy will echo out across Melbourne’s bohemian capital….

In the homey surrounds of the famous St,Kilda Bowling Club ,Australia’s prime exponents of hillbilly swing and bluegrass will come together with vintage guitars, banjos, fiddles, mandolins, harmonicas, double basses, slides, antique drums, toy saxophones and more in a night of acoustic swingtime in the bluegrass…..

Special guests of the Baylor Brothers will include the debut performance of a brand new band on the scene:-Melbourne Bluegrass Revival featuring vocalist, guitarist Chris Jacobs,fiddler,Will Manovel, bassist,Mike St.Clair-Miller and banjo picker Mick Harrison.

Other guests include Professor Rick Dempster on steel guitar and harmonica and Sister Tracey Miller singing up a country gospel storm and Andy ‘hillbilly’ Scott with some slappin’ double bass and country humour.

Country blues, hillbilly swing,fiddle breakdowns, bluegrass hurtin’ songs,waltzes,rags,reels,boogie woogie,retro-billy,front porch favourites….everything old is new again….
SWINGTIME IN THE BLUEGRASS
ST.KILDA BOWLING CLUB
66 FITZROY ST. ST.KILDA,ph.95370370
FRIDAY 6TH OCT. 9-LATE $15.00
 
 
Andy’s combo a regrettable no show
VICTORIAN-based multi-instrumentalist Andy Baylor this week made the difficult decision to cancel a series of shows in Tamworth with his famed Cajun Combo.
Andy Baylor’s Cajun Combo has been the mainstay of SouthGate Inn’s Gate Bar noon timeslot for several years and will most definitely be back again in 2007 – but for the 2006 festival, the combo’s a no show.
After extensive discussions with his oncologist, Andy was told in order to put a stop to the non-Hodgkins lymphoma that’s reappeared after 12 years, he needs a full program of chemotherapy.
“I could have come to Tamworth and performed, but if I wasn’t well, it would be a disappointment to the fans – and to me – knowing I wasn’t giving 100 per cent every day,” Andy said.
“My doctor is quite confident he can successfully treat my condition, so I don’t have too many concerns in that area. All I want now is to get on with the treatment and get on with my life.
“I am really sorry to disappoint my fans in Tamworth, but I’ll see you all at the 2007 Festival – better than ever.”
Anyone wishing to make contact with Andy can do so via his website, www.baylormusic.com .

 
The Baylor Brothers
Andy Baylor email - baylorbad@ozemail.com.au
 
 
“WELCOME HOME MR. B”
Andy Baylor and the “Inner - Urban -Down-Underground All –Stars”

Fiddler, guitarist Andy Baylor has just returned from a 5 week sojourn in Southern Louisiana where he has been on a cultural odyssey- A search for roots, rhythm, cultural identity, meaning and the real difference between a yabbie and a crawfish. He had a big welcome home gig/party at Melbourne’s best- known inner- city music hang-out at The Rainbow Hotel.

Andy brought together an all-star line-up for the occasion featuring:- Master of the cowbells –Lyn Wallis;
Rockabilly bass – slapper- Andy “hillbilly” Scott;
Guitarist –Ashley Cluss;
Steel guitarist and harmonica virtuoso-Rick Dempster;
Hometown Horns featuring Barry “Mr Pelican” Wratten and Sandro “The Winemaker” Donati;
other guests will included Mr Ed Bates; Denis Close-percussion; Blues, Gospel Diva Tracey Miller,GitGal Sarah Carroll and many more….

Long revered as a master guitarist and fiddler as well as a driving force behind many great Melbourne bands, Andy and the Inner Urban Down Underground All –Stars played it ALL….Blues, Country, Rock, Soul, Cajun, Funky Bar room Chanka-chank ,and everything in-between….

 
 
  
3CR Hot Damn Tamale Show presents Andy Baylor Christmas Blues Party with his trio featuring Peter Beulke on Double Bass and Denis Close Drums. Plus the funky, hip horns of  Sandra Donati, trunpet and Adam Simmons, Saxophone  Wednesday 22nd Dec Rainbow Hotel Fitzroy 9pm  $5
 
ANDY BAYLOR’S HOMETOWN STOMP C.D. LAUNCH
ANDY BAYLOR, LEGENDARY ROOTS MUSIC KING,
HAS A BRAND NEW CD…HOT OFF THE PRESS….…
“HOMETOWN STOMP”,A DOWNHOME COLLECTION OF STOMPS, BOOGIE WOOGIES BLUES AND CAJUN-STYLE PARTY TUNES
THE DOUBLE C.D. SET CAPTURES THE LIVE FEEL OF ANDY’S LEGENDARY SHOWS AND WAS RECORDED IN WEST MELBOURNE IN AUGUST OF THIS YEAR….
THE BAND FEATURES:
ANDY ON GUITAR, FIDDLE AND VOCALS, WITH A WHO’S-WHO OF AUSTRALIA’S FINEST ROOTS MUSICIANS INCLUDING:-
JOEL DAVIS ON DRUMS AND PERCUSSION,
STEVE GRANT ON ACCORDIAN AND SAX,
ED BATES ON STEEL,
RICK DEMPSTER ON DOBRO, STEEL AND HARMONICA,
PETER BAYLOR ON GUITAR,
SAM LEMANN ON GUITAR,
ANDY SCOTT ON DOUBLE BASS,
DENIS CLOSE ON PERCUSSION.
THE MUSIC MOVES THROUGH HOOKER-ESQUE STOMPS (JOHN LEE, THAT IS) , HANK WILLIAMS COUNTRY BLUES,ORIGINAL CAJUN STYLE DANCE TUNES, BLUES BALLADS, BAR ROOM BOOGIE WOOGIE AND MORE….A VERITABLE SMORGASBORD OF ROOTS MUSIC STYLES
 
Andy Baylor email - baylorbad@ozemail.com.au
Fiddle with family ties
 from "The Age"
 Donal Baylor                           Andy Baylor                        Peter Baylor
March 17, 2004 -
The Brunswick Music Festival is the place to experience the melodic strumming of the Baylor Brothers. Sophie Best reports.
From the front garden of Andy Baylor's house, on a quiet Brunswick street, comes the lively sound of two acoustic guitars being strummed and plucked.
It's an impromptu rehearsal for Andy and his brother Peter, who are reuniting next week with the other Baylor brother, Donal - championship-level fiddle player - for a performance at the Brunswick Music Festival on Friday.
The Baylor Brothers are one of Australia's most accomplished, if obscure, family bands.
Their combined musical knowledge encompasses all forms of traditional American roots music - country, blues, western swing, cajun, rockabilly, hillbilly, old-time and jazz - and between them, the brothers are proficient on just about every stringed instrument you can name.
To the brothers, making music comes as naturally as breathing.
Andy and Peter set down their instruments to talk about the musical life as they've lived it since growing up in Healesville in the late 1960s.
As they sit on the porch, surrounded by native plants and tweeting birds, they recall how unconventional their choices then seemed to their father, an Irish-born solicitor with a small country practice.
"The old man would drive home from work, and see us all on the porch, playing guitars and fiddles," recalls Peter, "and he'd just . . ." He stops speaking and mimic's his father's incredulous face.
"I think most parents are distressed when their children want to go into the arts," says Andy. "It's a tough place to try to make a living, playing music."
 
It was Andy, the eldest, who led the Baylor brothers' charge into music. In his late teens, he left the family home to study at Monash University by day, and play music in the emerging inner-city pub scene by night. "It was student days, much more radical," he remembers.
"Music was in; music and politics, and drugs. That was just the kind of time it was. Back then, if you were in a band, you could work every night."
Andy brought his enthusiasm home to his younger brothers, together with his musical instruments and collection of import records.
"The guitars and fiddles were lying around, and we were able to try them out," Donal says, speaking from Canberra where he now lives.
"I started playing guitar virtually the same day as Peter, then hearing the fiddle on some of Andy's records really sparked it for me. The sound just grabbed me in a big way."
"Once the music thing had started, it just caught like wildfire," says Peter.
"I remember Donal used to practise away like mad. He started off doing Bob Dylan, sitting there with his harmonica, and I got into jazz - Django Reinhardt and stuff. So we'd be in our different bedrooms playing away, and Andy would come up and be able to play jazz or bluegrass, or whatever we were into."
In time, the brothers pooled all their musical idioms in the early 1980s to form the Dancehall Racketeers, a swing band that took in all styles, from jazz to country, with Andy and Donal on twin fiddles and the whole band decked out in string ties and velvet suits.
"We used to jump in the van and off we went, around the whole country," says Andy. "That was being professional musicians on a very full-on level. It was a pretty interesting time."
The rest of the Baylor family was nonplussed. Their younger sister, Belinda, took one look at her brothers' lifestyle and went into finance.
Their mother, Gracia Baylor, followed a path into politics, which led from the mothers' club to Liberal Party candidature and a seat in the Senate.
The Baylor Brothers have always been outsiders to the networks of the music business.
"We've never played commercial music, ever," says Andy. "Our contemporaries were people like Australian Crawl and Men at Work. We were on another planet."
 
Peter agrees. "I never had ambition," he insists. "I just wanted to play music I liked. It set me apart from all my friends - in the early '80s, everyone was into the Birthday Party, and I was listening to Wes Montgomery records."
After the Dancehall Racketeers broke up, the brothers took different paths for a while. Slim Dusty discovered Donal's fiddle-playing skills and recruited him into his touring band; Andy pursued solo and session work in Melbourne; and Peter moved to Sydney where he formed a band that he persuaded Donal to join - for a time.
"That wound down, because Donal just hated the night life," Peter says. "He's not a drinker, he's not a smoker - at 9 o'clock, you could tell he was ready for bed and we'd be about to start playing! I don't think he ever settled into that lifestyle."
Donal confirms his antipathy towards the nightlife. "If it had just been the music, that would have been fine," he explains, "but some of the more unsavoury aspects of dealing with the music business were tiring.
"I don't think I had the determination and the willingness to go in as hard as Peter and Andrew have. People like me just can't live that way. I live a fair bit cleaner than Peter does; I'm a bit quieter. I like the stability of being at home."
Since settling in Canberra with his family, Donal has reduced his musical life to part-time. "I enjoy music far more now than I ever did when I was doing it for a living," he says.
During Donal's most recent visit to Melbourne, the brothers got together in the studio to record a selection of traditional and classic country tunes, appropriately titled Front Porch Favourites.
"All it is," Donal explains, "is just three brothers sitting around playing. It's really as close as you can get to sitting around the lounge at home."
All three brothers are struck by the depth of the musical connections that emerged in the process of jamming and recording together.
"Donal can pick out a tune, he doesn't have to play the whole tune, and we're on to it," says Andy.
"Everybody knows exactly what to do. It's almost that telepathic communication; it's just a natural thing, the depth and the feeling you can get with family."
 
Tamworth Festival 2004
Andy Baylor's Cajun Combo

Andy Baylor
 
Sam Lemann
 
Stuart French and Andy Baylor
 
Michael Vidale and Sam Lemann
 
Andy Baylor, Joel Davis, Michael Vidale and Sam Lemann
 
Stuart French, Andy Baylor, Joel Davis, Michael Vidale
 
 
Gleny
 
Joel Davis
 
Stuart French
 
Stuart French and Gleny
 
Helen and Leslie
Print out and have the memories